THURSDAY, OCTOBER 13[EDITOR'S NOTE: Audio descriptions for tonight's episodes of HELL'S KITCHEN and WELCOME TO FLATCH are available on the SAP Audio Channel.]--"CALL ME KAT" - (9:30-10:00 PM ET/PT) CC- HDTV 720p-Dolby Digital 5.1KAT CONSIDERS MOTHERHOOD ON AN ALL-NEW "CALL ME KAT"THURSDAY, OCTOBER 13, ON FOXKat (Mayim Bialik) spends the day with Max (Cheyenne Jackson) and his nephew, Thor, and realizes she enjoys being around a baby. Carter (Julian Gant) confesses that he has lied to Randi (Kyla Pratt) about liking scary movies and his decision to watch them is haunting him in the all-new "Call Me Thor" episode of CALL ME KAT airing Thursday, Oct 13 (9:30-10:00 PM ET/PT) on FOX. (KAT-303) (TV-14 D, L)Cast: Mayim Bialik as Kat; Swoosie Kurtz as Sheila; Cheyenne Jackson as Max; Kyla Pratt as Randi; Leslie Jordan as Phil; Julian Gant as CarterGuest Cast: Patricia Belcher as Barbara; Erica Hanrahan as Linda Share
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Q: How did the concept of Brat Pack America come to you?A: I had been wanting to do a book about '80s teen movies for a long time because I always saw them as a group, and not just because of John Hughes or because of the label Brat Pack that was unceremoniously given to this group of young actors. I had been an early teenager at that time and had recognized that there was a bumper crop of movies made about people my age and slightly older than me. I'm not the first person to come to that realization. The movies have been written about in one way or another several times, and several times admirably. I didn't quite see what I had to add to that story. So since that's usually where I begin most of my books -- having an idea off in the distance like the green light at the end of the dock -- I just sort of wander toward it and hope when I get there the path I've taken is clear, and I have something to report back once I get there.
Q: After revisiting all of these movies doing research for the book, I'm curious what movie were you surprised by how your feelings toward it changed, either positively or negatively, since you saw them as a teenager.A: The chapter on horror movies didn't make the final manuscript of this book. As a kid, I was too scared to go see horror movies, so I was shocked at how great a movie Halloween is. I just thought it would be trashy and cynical and gross, and I think Halloween is a masterstroke of modest budget filmmaking, of making something out of nothing. I think Halloween is genius. I remember being crazy about The Lost Boys, and I think The Lost Boys is now your basic teen vampire movies. It's only 90 minutes, so by the time it gets ridiculous, it's over. But I think it looks great; that's mostly Joel Schumacher's doing, and it makes spectacular use of Santa Cruz. There's been a dozen movies shot since in Sana Cruz and they all work to varying degrees, but when you go to the Yelp reviews of the Santa Cruz boardwalk nobody mentions Killer Klowns From Outer Space or Riding Giants or any of those movies; they all mention The Lost Boys. I don't think The Lost Boys is a great movie; it's a greatly produced movie. I think it looks great, and the use of setting is fantastic.
Q: What's the best movie that you couldn't work into the book that you really wanted to?A: Risky Business. I had a whole chapter that was fun to write, I hated to let it go, about Risky Business, Adventures in Babysitting, Midnight Madness, the whole kids-let-loose-on-the-big-city-at-night kind of movie. It was too similar to other chapters and the manuscript was too long and it had to go. Risky Business is one of my absolute favorite movies. I think that movie is fun to watch, it's a masterstroke of satire of '80s youth and ambition. It's sexy as hell. It's one of the most inspired scores in movie history.
Q: One of the most intriguing concepts of your book is that place matters. You really get at how these movies defined where they took place, and that was a necessary element to the overall story. I'm curious, post-Brat Pack America, what films do you see are worthy of a spot on that map?A: I don't think they use place in exactly the same way. If we're just talking about teen movies, a movie like (2015's) Dope is a really interesting reconfiguring of the map of Los Angeles where working class black and Latino kids live. If Dope was made a decade before, it would take place in South Central. Dope, made in 2015, takes place in Inglewood. Very self-consciously Inglewood. That's not just the interest of the director -- who set his film The Wood (1999) there as well -- but also showing that sort of archetypal working-class black and Latino teenage story has moved there geographically. I think that's really interesting.
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